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POSTED 08.09.10
CONGRATULATIONS TO THE XX

POSTED 06.09.10
FOUR TET - SPECIAL MIX FOR FACT AND NEW TSHIRT SITE

POSTED 19.08.10
EBSEN AND THE WITCH SIGN TO MATADOR

POSTED 19.08.10
ROCKETNUMBERNINE NEW SONG PRODUCED BY FOUR TET

POSTED 09.08.10
EAT YOUR OWN EARS DJS PLAY AT ROCKFEEDBACK'S 10TH ANNIVERSARY PARTY!

POSTED 05.08.10
MIX CLOUD EAT YOUR OWN EARS RADIO

POSTED 29.07.10
MIX CLOUD FIELD DAY PREVIEW

POSTED 23.07.10
MANCHESTER WAREHOUSE PROJECT CURATED BY FOUR TET

POSTED 20.07.10
JAMIE LIDELL - KOKO - 18 NOVEMBER

POSTED 08.07.10
OF MONTREAL - KOKO - 6 OCTOBER

POSTED 30.06.10
HOLLY MIRANDA - BORDERLINE SHOW // BEAR IN HEAVEN - THE FIELD REMIX

POSTED 24.06.10
BLONDE REDHEAD RETURN TO LONDON PLUS OLAFUR ARNALDS INTERVIEW

POSTED 23.06.10
JUNIP - (JOSE GONZALES) - XOYO - OCTOBER

POSTED 21.06.10
KATE NASH - NEW SHOW ANNOUNCED

POSTED 16.06.10
FOUR TET CURATED DATE - MORE ACTS ANNOUNCED

POSTED 08.06.10
ÓLöF ARNALDS - BUSH HALL - 14 SEPTEMBER + LOCAL NATIVES NEXT WEEK

POSTED 27.05.10
FOUR TET - THIS SUNDAY - MORE TICKETS AVAILABLE + JOE HOT CHIP

POSTED 13.05.10
LIARS - NEW SINGLE - ALBUM OUT NOW - LONDON SHOW 27 MAY

POSTED 28.04.10
THE TEMPER TRAP LAUNCH COMPETITION!!

POSTED 26.04.10
HOLLY MIRANDA POSTPONED

POSTED 16.02.10
JUANA MOLINA - UNION CHAPEL
 
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JUANA MOLINA
Plus special guests

Tuesday 11th May 2010
Doors 7pm

Union Chapel Compton Terrace,
London N1 2UN 020 7226 1686 www.unionchapel.org.uk

Tickets £14 from
www.seetickets.com
0870 264 3333
www.ticketweb.com
0844 477 1000

www.myspace.com/juanamolina

JUANA MOLINA of Buenos Aires, Argentina, can, perhaps rather cheekily, be seen as kickstarting the new generation of performers who begin with their core group of instruments and a delay pedal, and take the relatively experimental approach of live sound-looping and manipulation to the pop-concert medium. Think Kama Aina, Animal Collective. She uses time-delay for a sense of disorientation and twisting beauty, to heighten her songs' moods and structures. The hypnotic live experience is built of layer upon layer of polyrhythms, dissonant synth melodies, and effected voices. Her music is in love with texture and timbre, and despite its leftfield leanings it is a wondrous and accessible song she sings.