Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”

Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.

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Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”

Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.

BUY TICKETS HERE 

Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”

Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.

BUY TICKETS HERE 

Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”

Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.

BUY TICKETS HERE 

Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”

Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.

BUY TICKETS HERE 

Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”

Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.

BUY TICKETS HERE 

Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”

Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.

BUY TICKETS HERE 

Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”

Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.

BUY TICKETS HERE 

Named after the Japanese word for “pink noise” and based in Copenhagen and Berlin, multiculturalism is at the forefront of this band’s world – they play an exotic mixture of lo-fi, high-life, nu-folklore, ’60s Asian pop and post-apocalyptic future rock. “Most of what I write comes from picking up exciting words or phrases from wherever I stumble upon them,” says chief songwriter Andreas Pallisgaard. “Or maybe it simply comes from floating around like some empty receptor, open to letting the language of the world flow through me.”

Comprising Jaleh Negari (drums), Jeppe Brix (guitars) Andreas Pallisgaard (guitars, vox) and Jakob Falgren (guitars, keys, foot pedal bass), the four members of Pinkunoizu formerly played together in the acclaimed Danish post-rock group Le Fiasko. With eight people in that band, improvisation was difficult. In Pinkunoizu, the foursome form a flexible core. “Starting Pinkunoizu was a great relief for us, since we could feel that we were nurturing a space where we could play music for real and have a great say – all four of us,” says Andreas. It allows room for guests, such as Nils Gröndahl, who plays violin and bowed saw, and reflects the prevailing scene in Copenhagen. “Copenhagen people tend to play music with each other in temporary constellations, and some of that old-fashioned band structure has withered away a bit,” says Andreas.

BUY TICKETS HERE