Eat Your Own Ears presents
CARIBOU
GOLD PANDA
Plus guests
Tuesday 20 April
Doors 7.30pm
Corsica Studios – Farrell Court, Unit 5, Elephant Road, London, SE17 020 7703 4760
Tickets £9.00
www.seetickets.com
0870 264 3333
www.ticketweb.co.uk
08444771000
http://caribou.fm,
http://www.myspace.com/cariboumanitoba
http://www.myspace.com/goldpanda
www.corsicastudios.com
We are pleased to announce CARIBOU is back, bringing his euphoric music to Corsica studios where he and a full band will play a live set on Tuesday 20th April. After a three-year gap since his last release ‘Andorra’ Dan Snaith AKA Caribou will play in support of the greatly anticipated album ‘Swim’ released on the show day.
Snaith described the album's sound thusly: "I got excited by the idea of making dance music that's liquid in the way it flows back and forth, the sounds slosh around in pitch, timbre, pan… Dance music that sounds like it's made out of water, rather than made out of metallic stuff like most dance music does.
The new single release ‘Odessa’ has been receiving 8/10 reviews, and a "best new music" review from Pitchfork.
CARIBOU's live sets have been a carnival-esque whirl of ridiculous melodies, effusive noise, stampeding beats alongside furiously harmonised vocals, whirling guitars and keyboards create a claustrophobic, mesmeric soundscape akin to My Bloody Valentine and the sprawling, bucolic tour de force, like early Mercury Rev on magic mushrooms…! but this year we will see a dramatic difference in the Caribou live performance. Now that technology has finally caught up to Dan’s ambitions for the band’s show, while it will still be four musicians on stage, the dynamic interplay between visuals, electronics and the live sound will be taken to the next level.
What does GOLD PANDA sound like? One writer claimed that: “He intuitively mixes lopsided, chopped up hip hop style beats with a gorgeous refined melodic techno sensibility creating a fresh cross genre sound that’s distinct and accomplished.” Which sounds pretty good, so let’s go with that. The second half of 2009 will see Gold Panda touring with Simian Mobile Disco and adding to his three EP releases this year already with new material. Plus generally pushing on and consolidating his quickly burgeoning reputation as one of the brightest names in the electronic scene.
Eat Your Own Ears presents
WOODPIGEON
Plus special guests
Thursday 6 May
Doors 7pm
Union Chapel Compton Terrace,
London N1 2UN 020 7226 1686 www.unionchapel.org.uk
Tickets £11
www.seetickets.com
0870 264 3333
www.ticketweb.co.uk
08444771000
http://www.myspace.com/woodpigeon
Calgary's WOODPIGEON's chamber-folk concoctions of banjo, glockenspiel, choir and Mark Hamilton's diffident vocals make for thoughtful melodious moments and joyous rock-outs. Combining the mystical comic-book fantasies of Mark's lyrics with the sparkling music of the band, comparisons to Sufjan Stevens and his delightful ilk aren't far wrong, setting Woodpigeon up to be the next great Canadian breakout band.
"**** It's bloody marvelous." -SUNDAY TIMES
"**** An inspiring meditation on exile and return." -THE GUARDIAN
"**** Seductive." -MOJO
"**** Melodic and affecting." -Q
"Delightful … poetic and effortlessly gorgeous." -THE WORD
"Lovely … relevant, modern and orchestral … these are songs for a range of emotion." -THE NATIONAL POST
"Extravagant shows of brasses or strings spiral out … Hamilton's light, resilient voice is tailor-made for mulling on the deceits and realities of what we see and do." -THE GLOBE AND MAIL
"Strings soar … and voices blend like a cool breeze hitting the ocean mist … Woodpigeon take flight with an ease that their name wouldn't make you believe." -EXCLAIM!
"Understated beauty with an unshakable longing … meet your new indie folk heroes." -SUBBA-CULTCHA
"Hamilton's delightfully dour and lovelorn lyrics and sprightly, sweetly mellow music, makes the morse seem wholly palatable … accomplished, quietly intelligent, playful and really rather enchanting." -BBC
"Rich acoustic chamber pop with quietly barbed lyrics." -UNCUT
"A tapestry of plaintive guitar, shuffling snare drums, twinkling glockenspiel and handclaps … from swirling blizzard chamber-pop to hushed alt.country … adrift in sweeping landscapes." -METRO
"A perfect balance of grandeur and intimacy, delight and melancholy. Treasury is a left-field gem … you can’t help but fall in love with." -CHROMEWAVES
"The next great Canadian breakout band." -NOW
Eat Your Own Ears presents
ERLAND AND THE CARNIVAL
Plus special guests
Hoxton Bar and Kitchen
2- 4 Hoxton Square London N1 6NU 020 7613 0709
Thursday 6th May
Doors 8pm
Tickets £8.50 (advance) from:
www.ticketweb.co.uk
08700 600 100
www.seetickets.com
0870 264 3333
http://www.myspace.com/carnival
RADIO 2: Radcliffe & Maconie – live session 12th Jan
6MUSIC: Playlisted ‘Trouble In Mind’ / Marc Riley session ran 1st Dec ’09
UNCUT ‘Debut album of the month’ 4/5 out now
MOJO – Page feature ‘Tip For 2010’ & 4/5 Album review
The Times – ‘Tip For 2010’
Q 4/5 album review ‘Stunning debut from Simon Tong’s nu folk trio’
ERLAND AND THE CARNIVAL were formed by singer/guitarist and Orkney islander Erland Cooper with ex-The Verve/The Good, The Bad & The Queen guitarist Simon Tong and drummer David Nock. Together, they produce a sound described by Tong as “Pentangle meets Ennio Morricone meets Love meets 13th Floor Elevators meets Joe Meek.” In other words: folk-tinged, psyched up, fuzzed-out brilliance.
Some history: Erland grew up on the Orkney Islands, where passing musicians and troubadors were a common sight. In his early teens, The Verve and Bert Jansch inspired him to swap the fiddle for the guitar. Later, having moved to London, Erland sang at Tong’s What The Folk club night in Portobello Road, where he was introduced to the former Verve man by the producer Youth. “It wasn’t a regular folk night where people are quiet and stroke their chin,” says Tong. “It was a more raucous affair where the acts – as many as 15 a night – had to quieten a noisy baying audience by being good. Erland definitely got people to shut up and listen.”
Resolving to form a band, Nock, Tong and Cooper took their name from Jackson C Frank’s My Name Is Carnival, a cover of which appears on the album. The band’s progression since has been fairly unorthodox: they’ve played gigs at miniature railway stations and their debut EP was individually re-recorded for each of its limited run, meaning no two copies are the same. All the while, they’ve been developing that bewitching sound.
Going form strength to strength, Erland and the Carnival have just released their debut self-titled album, which has been met with great applause, the BBC describing it as a ‘collection of engaging, swirling tracks and stories that sound like the soundtrack to a creepy, dreamy funfair.’
PRESS QUOTES:
“They can all certainly sing and play as if they were raised on the Mississippi Delta, plucking sounds from the ether atop a dusty porch.” Artrocker September 2009
“wonderful Mountain Song sounds stirring… to know more about them we’ll just have to make them famous enough to do interviews” Dave Simpson, The Guardian September 2009
“freewheelin’ Americana” Seven Songs: The Daily Growl, September 2009
“Stunning” Tim chester NME.com, August 2009
“Beautiful, beautiful harmonies” Steve’s Stringers on Steve Lamacq’s last Radio 1 show
– Radio 1 August 2009 http://anikainlondon.wordpress.com
"Treetop Flyers combine multi-part sun-drenched harmonies and folky Dylanesque melodies, even veering into western hoe-down territory on occasion. With the dawn just breaking on 09, expect them to have made their mark on the year by the time the dusk sets."
– The Fly live review @ Equiitruck 2009, Oxford
“Their songs are lovely, lovely!”
Brain Bulletin blog: http://brainbulletin.blogspot.com/2009/06/treetop-flyers.html