CONCRETE AND GLASS PRESENTS:

Artist, cartoonist, filmmaker and musician DAVID SHRIGLEY will curate a night of music with two specially chosen bands:

The direct nature of conceptual artist MARTIN CREED’s works are evidenced by their baldly descriptive titles, for example, Work No. 227, the lights going on and off, for which he won the Turner Prize, was exactly that. This literal approach extends to his music with eponymous song titles and direct, propulsive rhythm.

PLEASE solder together garagey jangle and 60s out-there rock, relentlessly bombarding with their clattering drums and eccentric vocals, a fresh alloy of sound.

CONCRETE AND GLASS PRESENTS:

Artist, cartoonist, filmmaker and musician DAVID SHRIGLEY will curate a night of music with two specially chosen bands:

The direct nature of conceptual artist MARTIN CREED’s works are evidenced by their baldly descriptive titles, for example, Work No. 227, the lights going on and off, for which he won the Turner Prize, was exactly that. This literal approach extends to his music with eponymous song titles and direct, propulsive rhythm.

PLEASE solder together garagey jangle and 60s out-there rock, relentlessly bombarding with their clattering drums and eccentric vocals, a fresh alloy of sound.

CONCRETE AND GLASS PRESENTS:

Artist, cartoonist, filmmaker and musician DAVID SHRIGLEY will curate a night of music with two specially chosen bands:

The direct nature of conceptual artist MARTIN CREED’s works are evidenced by their baldly descriptive titles, for example, Work No. 227, the lights going on and off, for which he won the Turner Prize, was exactly that. This literal approach extends to his music with eponymous song titles and direct, propulsive rhythm.

PLEASE solder together garagey jangle and 60s out-there rock, relentlessly bombarding with their clattering drums and eccentric vocals, a fresh alloy of sound.

CONCRETE AND GLASS PRESENTS:

Artist, cartoonist, filmmaker and musician DAVID SHRIGLEY will curate a night of music with two specially chosen bands:

The direct nature of conceptual artist MARTIN CREED’s works are evidenced by their baldly descriptive titles, for example, Work No. 227, the lights going on and off, for which he won the Turner Prize, was exactly that. This literal approach extends to his music with eponymous song titles and direct, propulsive rhythm.

PLEASE solder together garagey jangle and 60s out-there rock, relentlessly bombarding with their clattering drums and eccentric vocals, a fresh alloy of sound.

CONCRETE AND GLASS PRESENTS:

Artist, cartoonist, filmmaker and musician DAVID SHRIGLEY will curate a night of music with two specially chosen bands:

The direct nature of conceptual artist MARTIN CREED’s works are evidenced by their baldly descriptive titles, for example, Work No. 227, the lights going on and off, for which he won the Turner Prize, was exactly that. This literal approach extends to his music with eponymous song titles and direct, propulsive rhythm.

PLEASE solder together garagey jangle and 60s out-there rock, relentlessly bombarding with their clattering drums and eccentric vocals, a fresh alloy of sound.

CONCRETE AND GLASS PRESENTS:

Artist, cartoonist, filmmaker and musician DAVID SHRIGLEY will curate a night of music with two specially chosen bands:

The direct nature of conceptual artist MARTIN CREED’s works are evidenced by their baldly descriptive titles, for example, Work No. 227, the lights going on and off, for which he won the Turner Prize, was exactly that. This literal approach extends to his music with eponymous song titles and direct, propulsive rhythm.

PLEASE solder together garagey jangle and 60s out-there rock, relentlessly bombarding with their clattering drums and eccentric vocals, a fresh alloy of sound.

CONCRETE AND GLASS PRESENTS:

Artist, cartoonist, filmmaker and musician DAVID SHRIGLEY will curate a night of music with two specially chosen bands:

The direct nature of conceptual artist MARTIN CREED’s works are evidenced by their baldly descriptive titles, for example, Work No. 227, the lights going on and off, for which he won the Turner Prize, was exactly that. This literal approach extends to his music with eponymous song titles and direct, propulsive rhythm.

PLEASE solder together garagey jangle and 60s out-there rock, relentlessly bombarding with their clattering drums and eccentric vocals, a fresh alloy of sound.

CONCRETE AND GLASS PRESENTS:

Artist, cartoonist, filmmaker and musician DAVID SHRIGLEY will curate a night of music with two specially chosen bands:

The direct nature of conceptual artist MARTIN CREED’s works are evidenced by their baldly descriptive titles, for example, Work No. 227, the lights going on and off, for which he won the Turner Prize, was exactly that. This literal approach extends to his music with eponymous song titles and direct, propulsive rhythm.

PLEASE solder together garagey jangle and 60s out-there rock, relentlessly bombarding with their clattering drums and eccentric vocals, a fresh alloy of sound.

CONCRETE AND GLASS PRESENTS:

Artist, cartoonist, filmmaker and musician DAVID SHRIGLEY will curate a night of music with two specially chosen bands:

The direct nature of conceptual artist MARTIN CREED’s works are evidenced by their baldly descriptive titles, for example, Work No. 227, the lights going on and off, for which he won the Turner Prize, was exactly that. This literal approach extends to his music with eponymous song titles and direct, propulsive rhythm.

PLEASE solder together garagey jangle and 60s out-there rock, relentlessly bombarding with their clattering drums and eccentric vocals, a fresh alloy of sound.