2011’s fractured and tripped out full length GLAQJO XACCSSO was highly praised across experimental avant circles from The Wire to DAZED, identifying patten as a unique voice emanating from an intersection between a number of London’s underground scenes.

Since then, converse to expectation, no further recorded work has been heard from patten, concentrating instead on playing live and producing a handful of highly distinctive, idiosyncratic remixes.  Known for developing new trajectories for recordings in the live environment, it seems that the past two years have been fruitful, seeing his ever-complex sound morph and splinter further with every performance.

2011’s fractured and tripped out full length GLAQJO XACCSSO was highly praised across experimental avant circles from The Wire to DAZED, identifying patten as a unique voice emanating from an intersection between a number of London’s underground scenes.

Since then, converse to expectation, no further recorded work has been heard from patten, concentrating instead on playing live and producing a handful of highly distinctive, idiosyncratic remixes.  Known for developing new trajectories for recordings in the live environment, it seems that the past two years have been fruitful, seeing his ever-complex sound morph and splinter further with every performance.

2011’s fractured and tripped out full length GLAQJO XACCSSO was highly praised across experimental avant circles from The Wire to DAZED, identifying patten as a unique voice emanating from an intersection between a number of London’s underground scenes.

Since then, converse to expectation, no further recorded work has been heard from patten, concentrating instead on playing live and producing a handful of highly distinctive, idiosyncratic remixes.  Known for developing new trajectories for recordings in the live environment, it seems that the past two years have been fruitful, seeing his ever-complex sound morph and splinter further with every performance.

2011’s fractured and tripped out full length GLAQJO XACCSSO was highly praised across experimental avant circles from The Wire to DAZED, identifying patten as a unique voice emanating from an intersection between a number of London’s underground scenes.

Since then, converse to expectation, no further recorded work has been heard from patten, concentrating instead on playing live and producing a handful of highly distinctive, idiosyncratic remixes.  Known for developing new trajectories for recordings in the live environment, it seems that the past two years have been fruitful, seeing his ever-complex sound morph and splinter further with every performance.

2011’s fractured and tripped out full length GLAQJO XACCSSO was highly praised across experimental avant circles from The Wire to DAZED, identifying patten as a unique voice emanating from an intersection between a number of London’s underground scenes.

Since then, converse to expectation, no further recorded work has been heard from patten, concentrating instead on playing live and producing a handful of highly distinctive, idiosyncratic remixes.  Known for developing new trajectories for recordings in the live environment, it seems that the past two years have been fruitful, seeing his ever-complex sound morph and splinter further with every performance.

2011’s fractured and tripped out full length GLAQJO XACCSSO was highly praised across experimental avant circles from The Wire to DAZED, identifying patten as a unique voice emanating from an intersection between a number of London’s underground scenes.

Since then, converse to expectation, no further recorded work has been heard from patten, concentrating instead on playing live and producing a handful of highly distinctive, idiosyncratic remixes.  Known for developing new trajectories for recordings in the live environment, it seems that the past two years have been fruitful, seeing his ever-complex sound morph and splinter further with every performance.

2011’s fractured and tripped out full length GLAQJO XACCSSO was highly praised across experimental avant circles from The Wire to DAZED, identifying patten as a unique voice emanating from an intersection between a number of London’s underground scenes.

Since then, converse to expectation, no further recorded work has been heard from patten, concentrating instead on playing live and producing a handful of highly distinctive, idiosyncratic remixes.  Known for developing new trajectories for recordings in the live environment, it seems that the past two years have been fruitful, seeing his ever-complex sound morph and splinter further with every performance.

2011’s fractured and tripped out full length GLAQJO XACCSSO was highly praised across experimental avant circles from The Wire to DAZED, identifying patten as a unique voice emanating from an intersection between a number of London’s underground scenes.

Since then, converse to expectation, no further recorded work has been heard from patten, concentrating instead on playing live and producing a handful of highly distinctive, idiosyncratic remixes.  Known for developing new trajectories for recordings in the live environment, it seems that the past two years have been fruitful, seeing his ever-complex sound morph and splinter further with every performance.

2011’s fractured and tripped out full length GLAQJO XACCSSO was highly praised across experimental avant circles from The Wire to DAZED, identifying patten as a unique voice emanating from an intersection between a number of London’s underground scenes.

Since then, converse to expectation, no further recorded work has been heard from patten, concentrating instead on playing live and producing a handful of highly distinctive, idiosyncratic remixes.  Known for developing new trajectories for recordings in the live environment, it seems that the past two years have been fruitful, seeing his ever-complex sound morph and splinter further with every performance.