WHEN SAINTS GO MACHINE play Concrete in support of their new album, INFINITY POOL, out May on K7 records.

When Saints Go Machine are a hard band to pin down, four young men doing things with electro pop that no one has done before.

The Danish four-piece formed in 2007 — Nikolaj Manuel Vonsild (vocals), Jonas Kenton (keyboards), Simon Muschinsky (keyboards) and Silas Moldenhawer (drums) — are a complicated mix of influences. There’s dance music in there, for sure, but also post punk, some experimental electronica in the Aphex Twin mould, and, crucially, a healthy dose of pop. You could describe the end result as a heady mix of Caribou, The Knife/Fever Ray and Arthur Russell. But, really, it doesn’t sound like anything else out there.

WHEN SAINTS GO MACHINE play Concrete in support of their new album, INFINITY POOL, out May on K7 records.

When Saints Go Machine are a hard band to pin down, four young men doing things with electro pop that no one has done before.

The Danish four-piece formed in 2007 — Nikolaj Manuel Vonsild (vocals), Jonas Kenton (keyboards), Simon Muschinsky (keyboards) and Silas Moldenhawer (drums) — are a complicated mix of influences. There’s dance music in there, for sure, but also post punk, some experimental electronica in the Aphex Twin mould, and, crucially, a healthy dose of pop. You could describe the end result as a heady mix of Caribou, The Knife/Fever Ray and Arthur Russell. But, really, it doesn’t sound like anything else out there.

WHEN SAINTS GO MACHINE play Concrete in support of their new album, INFINITY POOL, out May on K7 records.

When Saints Go Machine are a hard band to pin down, four young men doing things with electro pop that no one has done before.

The Danish four-piece formed in 2007 — Nikolaj Manuel Vonsild (vocals), Jonas Kenton (keyboards), Simon Muschinsky (keyboards) and Silas Moldenhawer (drums) — are a complicated mix of influences. There’s dance music in there, for sure, but also post punk, some experimental electronica in the Aphex Twin mould, and, crucially, a healthy dose of pop. You could describe the end result as a heady mix of Caribou, The Knife/Fever Ray and Arthur Russell. But, really, it doesn’t sound like anything else out there.

WHEN SAINTS GO MACHINE play Concrete in support of their new album, INFINITY POOL, out May on K7 records.

When Saints Go Machine are a hard band to pin down, four young men doing things with electro pop that no one has done before.

The Danish four-piece formed in 2007 — Nikolaj Manuel Vonsild (vocals), Jonas Kenton (keyboards), Simon Muschinsky (keyboards) and Silas Moldenhawer (drums) — are a complicated mix of influences. There’s dance music in there, for sure, but also post punk, some experimental electronica in the Aphex Twin mould, and, crucially, a healthy dose of pop. You could describe the end result as a heady mix of Caribou, The Knife/Fever Ray and Arthur Russell. But, really, it doesn’t sound like anything else out there.

WHEN SAINTS GO MACHINE play Concrete in support of their new album, INFINITY POOL, out May on K7 records.

When Saints Go Machine are a hard band to pin down, four young men doing things with electro pop that no one has done before.

The Danish four-piece formed in 2007 — Nikolaj Manuel Vonsild (vocals), Jonas Kenton (keyboards), Simon Muschinsky (keyboards) and Silas Moldenhawer (drums) — are a complicated mix of influences. There’s dance music in there, for sure, but also post punk, some experimental electronica in the Aphex Twin mould, and, crucially, a healthy dose of pop. You could describe the end result as a heady mix of Caribou, The Knife/Fever Ray and Arthur Russell. But, really, it doesn’t sound like anything else out there.

WHEN SAINTS GO MACHINE play Concrete in support of their new album, INFINITY POOL, out May on K7 records.

When Saints Go Machine are a hard band to pin down, four young men doing things with electro pop that no one has done before.

The Danish four-piece formed in 2007 — Nikolaj Manuel Vonsild (vocals), Jonas Kenton (keyboards), Simon Muschinsky (keyboards) and Silas Moldenhawer (drums) — are a complicated mix of influences. There’s dance music in there, for sure, but also post punk, some experimental electronica in the Aphex Twin mould, and, crucially, a healthy dose of pop. You could describe the end result as a heady mix of Caribou, The Knife/Fever Ray and Arthur Russell. But, really, it doesn’t sound like anything else out there.

WHEN SAINTS GO MACHINE play Concrete in support of their new album, INFINITY POOL, out May on K7 records.

When Saints Go Machine are a hard band to pin down, four young men doing things with electro pop that no one has done before.

The Danish four-piece formed in 2007 — Nikolaj Manuel Vonsild (vocals), Jonas Kenton (keyboards), Simon Muschinsky (keyboards) and Silas Moldenhawer (drums) — are a complicated mix of influences. There’s dance music in there, for sure, but also post punk, some experimental electronica in the Aphex Twin mould, and, crucially, a healthy dose of pop. You could describe the end result as a heady mix of Caribou, The Knife/Fever Ray and Arthur Russell. But, really, it doesn’t sound like anything else out there.

WHEN SAINTS GO MACHINE play Concrete in support of their new album, INFINITY POOL, out May on K7 records.

When Saints Go Machine are a hard band to pin down, four young men doing things with electro pop that no one has done before.

The Danish four-piece formed in 2007 — Nikolaj Manuel Vonsild (vocals), Jonas Kenton (keyboards), Simon Muschinsky (keyboards) and Silas Moldenhawer (drums) — are a complicated mix of influences. There’s dance music in there, for sure, but also post punk, some experimental electronica in the Aphex Twin mould, and, crucially, a healthy dose of pop. You could describe the end result as a heady mix of Caribou, The Knife/Fever Ray and Arthur Russell. But, really, it doesn’t sound like anything else out there.

WHEN SAINTS GO MACHINE play Concrete in support of their new album, INFINITY POOL, out May on K7 records.

When Saints Go Machine are a hard band to pin down, four young men doing things with electro pop that no one has done before.

The Danish four-piece formed in 2007 — Nikolaj Manuel Vonsild (vocals), Jonas Kenton (keyboards), Simon Muschinsky (keyboards) and Silas Moldenhawer (drums) — are a complicated mix of influences. There’s dance music in there, for sure, but also post punk, some experimental electronica in the Aphex Twin mould, and, crucially, a healthy dose of pop. You could describe the end result as a heady mix of Caribou, The Knife/Fever Ray and Arthur Russell. But, really, it doesn’t sound like anything else out there.